{"title":"* R\u0026B \/ Soul","description":null,"products":[{"product_id":"gil-scott-heron-reflections-rsd-rsd-exclusive-colored-vinyl-deluxe-edition-limited-edition-remastered","title":"Gil Scott-Heron: Reflections (RSD) (RSD Exclusive, Colored Vinyl, Deluxe Edition, Limited Edition, Remastered)","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003ch3 class=\"aec-desc-label\"\u003eDescription\u003c\/h3\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eGilbert Scott-Heron was an American jazz poet, singer, musician and author, known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson fused jazz, blues and soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. 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Listen to his work, and you're transported to a two-block radius of his neighborhood-from the liquor store to Sign of Music record store on Whittier Boulevard and back to a homie's house. In those two blocks, you hear cumbia blaring from the stores, punk rehearsals from a garage, oldies drifting from a neighbor's yard-a sensory overload that follows you home,all those genres singing in your head at once.This isn't a revelation to longtime fans of Quiñones' music. He has established himself as a premier interpreter of his generation, dedicating his career to offering his unique perspective on the Chicano soul songbook. But before Thee Sinseers, before the lush orchestrations and pitch-perfect harmonies that became his signature, Quiñones cut his teeth leading various backing bands for visiting Jamaican ska and dancehall acts touring Southern California. He describes those years as reggae college, getting yelled at by every Jamaican artist who had a record out. 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It's a deliberate departure from Thee Sinseers' lush orchestrations, stripped down to showcase the Jamaican foundations that have always lived beneath Quiñones's work.Before you know it, you've taken off on a sonic soul spaceship with Quiñones at the helm, supported by his two-person crew: Eric Johnson from Thee Sinseers on saxophone and Eleazar from the Brown Boyz on piano, as you cruise across silver-lined clouds and dip your toes into dreamy moonlit grooves found on \"Don't Let Go,\" \"Driftin'\" and \"One MoreNight.\"What Quiñones manages to do on this record-with the full support of Colemine Records, the defining label for contemporary soul music happening right now-is prove time and time again that he is an artist willing to take risks and continue to show his prowess when it comes to experimenting with different styles, while still being able to authentically express himself. 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Listen to his work, and you're transported to a two-block radius of his neighborhood-from the liquor store to Sign of Music record store on Whittier Boulevard and back to a homie's house. In those two blocks, you hear cumbia blaring from the stores, punk rehearsals from a garage, oldies drifting from a neighbor's yard-a sensory overload that follows you home,all those genres singing in your head at once.This isn't a revelation to longtime fans of Quiñones' music. He has established himself as a premier interpreter of his generation, dedicating his career to offering his unique perspective on the Chicano soul songbook. But before Thee Sinseers, before the lush orchestrations and pitch-perfect harmonies that became his signature, Quiñones cut his teeth leading various backing bands for visiting Jamaican ska and dancehall acts touring Southern California. He describes those years as reggae college, getting yelled at by every Jamaican artist who had a record out. 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It's a deliberate departure from Thee Sinseers' lush orchestrations, stripped down to showcase the Jamaican foundations that have always lived beneath Quiñones's work.Before you know it, you've taken off on a sonic soul spaceship with Quiñones at the helm, supported by his two-person crew: Eric Johnson from Thee Sinseers on saxophone and Eleazar from the Brown Boyz on piano, as you cruise across silver-lined clouds and dip your toes into dreamy moonlit grooves found on \"Don't Let Go,\" \"Driftin'\" and \"One MoreNight.\"What Quiñones manages to do on this record-with the full support of Colemine Records, the defining label for contemporary soul music happening right now-is prove time and time again that he is an artist willing to take risks and continue to show his prowess when it comes to experimenting with different styles, while still being able to authentically express himself. 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